As is fairly normal in an Eastwood film, most women are powerless to his charm and swagger, but this is especially true for one woman who he spends a night with. Dave Garver (Eastwood) is a popular radio show host with a silky smooth voice who regularly takes requests from listeners.
#CLINT EASTWOOD MILLION DOLLAR BABY MOVIE#
In Eastwood’s directorial debut, Play Misty For Me is a slasher thriller that makes a new name for the western movie star. Main Cast: Clint Eastwood, Marsha Mason, Everett McGillīuy/Rent on Amazon 9. I guess that’s what happens when you don’t waste time doing multiple takes - but this movie is still an Eastwood classic. From a directorial standpoint, this movie is not exactly air-tight, with a few plot holes and unexplained events in some scenes. Armed with witty and comedic one-liners and snappy comebacks, Eastwood shines as the gunnery sergeant of an ungrateful group of Marines who “ain’t it.” The quote, “ Improvise, adapt and overcome!” was popularized from this movie. “I’ll make life takers and heartbreakers out of them, sir,” Eastwood murmurs out of the side of his mouth to his arrogant Major. Marine Sergeant Thomas Highway (Eastwood) has been in the forces a bit too long, so when he applies to be reinstated, he is challenged by witless, spineless superiors and trainees who have no idea what they’re talking about. The only thing close to a war movie on this list, Heartbreak Ridge takes the boot camp movie sub-genre and gives it a little bit of heart and a whole lot of Eastwood.
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This means that we will, unfortunately, have to omit some of his greatest performances to date ( Dirty Harry, A Fistful of Dollars, The Good, The Bad and the Ugly, Escape from Alcatraz, Hang ‘Em High, etc.), despite them being as great as they are. Since there are so many Eastwood features to pick from (72 acting credits on IMDB), this list is about the films he has directed and acted in. Considering some of the great directorial works he has produced, this is impressive beyond belief but not exactly unexpected from a character like Clint. As a director, and unlike David Fincher and his meticulous directing, Eastwood has been known to get what he wants in one take without storyboarding, rehearsing, or changing the script at all. Kicking off his film career in 1955 as a few unnamed extras, Clint has since spent the following 65 years committing his life to the practice of film and acting. Before his illustrious cinema career, Eastwood worked as a lumberjack, a firefighter, a swimming instructor, and a bouncer to get by. A highly successful actor, producer, and director, Eastwood has developed his own unique style of film that follows a narrative format with a monumental ending every time. It takes a while for Eastwood, both as Frankie and as the film's director, to turn his attention to the girl in the gym - Maggie (Hilary Swank) - a dirt-poor waitress from southern Missouri who wants to box professionally.If one were to mention the greats from classic Hollywood cinema (especially western movies), Clint Eastwood’s name would be one of the first to come up. After that expository detour, the focus is on Frankie (Eastwood), a trainer and expert "cut man," and his efforts on behalf of a heavyweight contender (Mike Colter). In the first minutes, there's something slack about "Million Dollar Baby." Morgan Freeman, as Eddie, the boxing club manager, narrates the film, and for some reason Paul Haggis' script finds it necessary to introduce every would-be boxer in the picture. It has the gloom and transcendence of an old man's wisdom. The weight of years is in "Million Dollar Baby, " technically, artistically and philosophically. This is an old man's view, and it reminded me, not of anything from another movie, but of Lincoln's Second Inaugural, the part in which Lincoln, looking back on the bloodbath of the Civil War and anticipating more carnage to come, quoted Psalms: "The judgments of the Lord are true and righteous altogether." Lincoln wasn't an old man, just an old soul, but the trainer is an old man, and so is Eastwood. Its meaning can't be summed up in a sentence, but it has to do with a view of life as inexpressibly sad and yet always right. "Million Dollar Baby" ages well in memory because it gradually seems to mean more. Other elements can be discussed - for one thing, the movie's fablelike quality, which fully emerges only days after seeing it. Part of what makes this film different is the story, which can't be talked about in detail without damaging the first experience of it.
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Its concerns and ambitions are in a completely different direction. But "Million Dollar Baby" is not a conventional boxing movie or even a conventional sports movie. Just saying that, of course, conjures up a host of images, most of them cliches, from every boxing movie ever made. "Million Dollar Baby," the latest from Clint Eastwood, is about an old trainer who takes on a female boxer.